The Faerie Queen had told me I needed to anchor myself. Except I’d been doing that for a long time. It was how I functioned. Compartmentalizing, identifying a priority, devoting myself to it. Surviving the bullying, the mission to turn in the Undersiders, the mission to save Dinah, to turn the city around, to save the world. I’d had tunnel vision at the best of times, and I’d had both successes and failures.
You sought power, and you lost a portion of yourself in the doing. Always the case, but it’s… pronounced, in a case like yours. Yes?”
I was still aware of my body, but it felt piecemeal, now. My fist was shaking, I had my head bowed, my teeth clenched so hard against one another it hurt. My heart was pounding, my breath coming out in inconsistent huffs through my nose, pushing just a bit of mucus free. My eyes were wet with tears, but I hadn’t blinked, causing them to build up on the surface of my eyeballs.
All of these things were normal, but I didn’t feel like they were all intuitive parts of a whole. My concept of my body as a connected thing had shattered, the ties broken
When we were waiting for the fight to start, I went around, looking for people I needed to thank. Important people to me, people who I wasn’t sure I’d get a chance to talk to again. I missed a few important ones. My dad… you two. I know the only reason I got my shot at being a hero, the only reason I didn’t go to jail, was because you vouched for me, because you agreed to cart me back and forth and interrupt your schedule. I probably didn’t even deserve it, but you backed me up. I’m just… I’ve never been good at saying thank you and sounding as sincere as I feel.”
I always knew there was something wrong, underneath it all, but there were bigger things to focus on. You finish dealing with one Endbringer attack or a potential war with parahuman attacks on both sides, it demands all of your focus. You’re left drained, dealing with the event or the aftermath, and then you need to recuperate, you have an organization to manage. There’s never a moment where you can stop, take a deep breath, and then say, ‘now is the moment where I address that nagging doubt I had the other day’. Now is the moment I call so-and-so out on that less-than-complete truth they used while we were elbow-deep in Indonesian cyborg super-soldiers.”
Don’t tell me you don’t see a romantic element to all of this. You wouldn’t dress yourself up like a gallant knight if you didn’t. Good and evil, man and woman, physical and magical. But we share common experience. I bet you’d find more parallels if you looked for it.”
It’s odd that all it takes is to stop watching movies for say 4-5 years of watching mainstream cinema (or for that matter random TV songs and channels) and come back to them to realize
how silly the idea of someone stalking the woman.. and then the woman falling in love with them and then singing, running around trees is..
And yet, that’s exactly what the teenagers grow up learning is love. May be i’ve become too old, but I really wonder what so-called “market forces” led us to here.
I have trouble comprehending the market forces (well atleast if i assume less power for the parents to control which movies their kids see*).
So anyone connected to any of the movie-making industries in India, please enlighten me.
How does a story that has a romance as bland as “stalking-angry girl-persisting-maybe a fight-eventually fall in love” storyline gets picked?. Is it just a question of hero-vs-producer-preferences-vs-desperate-writers combo?
I feel like there’s a good chance of disrupting the industry, (I do see some interesting plots in the Tamil Movie Scene, but I’m biased and do see dull stories there too.)
* — which might be a reasonable assumption with TV cable costs going down.